Move Fast and Break Things – Overactive Imagination
Produced by Nadia Maxwell, this urgent docuseries tackles one of today’s most pressing social issues – how digital technology is reshaping childhood.
"We are thrilled to have Screen Canterbury support for our locally grown and produced series,” says Maxwell. “Documentary has always been a strong part of the Christchurch industry landscape, and it provides excellent opportunities to bring our talented crew together.”
Sons of a Bitch – The Bitches’ Box Feature
Comedians Emma Newborn and Amelia Dunbar bring their beloved rural stage phenomenon "The Bitches’ Box" to the big screen, produced by Rob Malloch.
The film extends the duo’s decade-long mission of bringing laughter and connection to woolsheds and small towns – now set to reach audiences nationwide.
Filming in Canterbury and utilising Kōawa Studios, the production will create opportunities for local students and crew while celebrating the humour, resilience, and community spirit of rural Aotearoa.
Kōawa Studios Director Sam Witters says it’s fantastic having Sons of a Bitch working out of Kōawa Studios. “By hosting interns from the UC Digital Screen programme, we’re showing how industry and academia can come together to grow local skills. Collaborations like this are what make Canterbury’s screen sector stronger and create real opportunities for the next generation of talent."
The Traitors NZ – Season 3 – South Pacific Pictures
The hit international reality series returns to South Canterbury for its third season, following two successful local shoots that drew global praise for their production quality and stunning location backdrops.
“When we brought 'The Traitors' south, we wanted a location that could stand shoulder to shoulder with the international versions – and South Canterbury delivered,” says Andrew Szusterman, Managing Director of South Pacific Pictures.
“Claremont Castle gave us the look, but the support from Screen CanterburyNZ made it possible. Now that we’ve established 'The Traitors' Southern Hemisphere hub, our goal is to keep producing multiple versions for years to come.”
One additional funded production remains under embargo and will be announced in the coming months.
“Each round of the Production Grant builds momentum,” adds Huston. “Whether it’s feature films, docuseries or global TV formats, these projects highlight the strength, creativity, and capability of Canterbury’s screen industry.”